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Arthur Kwon Lee is the most canceled fine artist in the world.
Prior to Lee’s controversial cancellation, his paintings have won awards from George Washington University, the Korean Artists Association, the Corcoran Gallery of Art and the inaugural title of ‘Artist of the Year’ by the Eileen Kaminsky Family Foundation. Often regarded as the Artist of the Manosphere or the counterculture painter, Lee’s hasty success in the NYC art industry was abruptly halted after his public stance against radical Leftism and his declaration of Christian art as the peak of aesthetic culture in the West.
Prior to developing his passion for painting, Lee was a Division One athlete who placed in the US Tae Kwon Do Nationals for three consecutive years and continues to deliver this martial intensity into his dynamic style. The resulting compositions attest to an artist who uses his entire body to paint symbolically evocative works that contain oblique references to our definitions on masculinity, aesthetics and reverence. Luminous colors, gestural expressionism, and philosophical acumen bring a refreshing sentiment to the one-sided art industry that draws our sometimes compartmentalized and fractured times into a synthetic, representative whole.
In a time when the mainstream narrative is shamelessly mocking the religion of Christ, Lee has currently launched a powerful Biblical Series of epic proportions titled From Creation to Resurrection—twelve large-scale, visually stunning paintings to revitalize Christianity. Upon its completion, Arthur will be embarking on a visual exhibition tour across our country specifically targeting the most woke and degenerate cities to walk further into the belly of the beast.
